Splice will publish two books in the autumn of 2019: See What I See, a book of essays and: Especially the Bad Things, a book of stories.
Latest: Nearer My Hong Sang-soo to Me – MUBI
William Gaddis’ Compositional Self – LA Review of Books
“Debut” a story at The Collagist
The Letters of Hugh Kenner and Guy Davenport – LA Review of Books
Reading The Cantos – Big Other
A Year With Wallace Stevens – 3am Magazine
On Eating Combos – The Smart Set
Return to Naipaul’s The Enigma of Arrival – LA Review of Books
The Completed Eyes Wide Shut? – Big Other
“A Modern” (fiction) – Berfrois
Autumn in New York – LA Review of Books
Reviewings in Light of the Zeitgeist – 3am Magazine
Remembering William H. Gass – LA Review of Books
On Kubrick’s Barry Lyndon – MUBI
Interview with John Haskell – The Millions
“The Condoleezza Rice Fan Club Visits Akron, Ohio” at The Collagist
On Toni Erdmann and it’s ending at LA Review of Books
“On or About” – a short essay, at MUBI
“Manhattan,” a short fiction, is at Juked
Mark Greif Interview at LA Review of Books
On Divorce at Ozy.com
“Take This Waltz” Then Move On?: Breakups in the Age of Selfish at Mubi.com
Review of Joseph Tabbi’s William Gaddis biography at Kenyon Review
On William Gaddis’s A Frolic of His Own at The Millions
Essay at 3am Magazine – All Hues in His Controlling
Arts Fuse Review of My Brooklyn Writer Friend
Brooklyn Rail Review of My Brooklyn Writer Friend
Interview at The Collagist
A review of William Gass’s Eyes at 3am Magazine
Interview at Electric Literature
At Fanzine a short essay, “Envy, the Unsuccessful Writer’s Friend”
At MUBI, Mister Fincher and Monsieur Dreyer, cinematic despair and rapture
At Medium/Human Parts, a piece on Internet Dating
At MUBI, On Satyajit Ray’s Apu Trilogy
At MUBI, four new pieces: Mr. Turner, Boyhood, and Criticism, Eric Rohmer’s A Winter’s Tale, Carl Dreyer’s Gertrud on its 50th Anniversary, and a look at French director Jean Gremillion
Short story “Such a Sweet Meat” is in The Collagist
A review of Eric Rohmer: Interviews is in the Summer Issue of Film Quarterly
An essay on Paul Thomas Anderson, envy, and space in film at the LA Review of Books
On Louise Gluck – The Millions
Greg Gerke’s fiction and non-fiction has appeared or is forthcoming in Tin House, The Kenyon Review Online, Denver Quarterly, Quarterly West, Mississippi Review, LIT, Film Quarterly, and others. He lives in Brooklyn.
