Zerogram Press will publish a new and expanded edition of See What I See in April 2021, with an introduction by scholar Steven Moore
Interviewed by Hugh Sheehy for LA Review of Books
Greg is represented by Willenfield Literary Agency. For all publishing and rights enquiries, please contact Akin Akinwumi.
Latest: Fiction at Lapsus Lima: In the Suavity of the Rock
On Alexander Theroux’s An Adultery – Full-Stop
“The First Movements in William Gass’s The Tunnel” – The Tunnel at 25
“The Wait” – Fiction at The Kenyon Review
Excerpt from novel Eyes on Other Days at Splice
Review of Alexander Theroux: A Fan’s Notes at The Arts Fuse
On Gerald Murnane’s A Million Windows at Splice
An epistolary piece on reading Faulkner’s The Hamlet with Genese Grill at 3am Magazine (3 parts)
“Past as Epilogue” at The Smart Set
I interviewed writer/translator Genese Grill at LA Review of Books
Oh for Antonioni! at Lapsus Lima
“Re-discovering Patrick White” at Music & Literature
Meretricious Marriage Story – LA Review of Books
“Baby Sharks” – LA Review of Books
“Child as Parent” at Mr. Beller’s Neighborhood
“Guy Davenport as Exemplar” at Essay Daily
“On or About”-excerpt from See What I See at 3am Magazine
Splice Interview about writing/reading Part I
The Wrong Things List (fiction) – 3am Magazine
Unappeasable and Peregrine: Eyes Wide Shut – The Smart Set
On Marianne Moore’s “Silence” – LA Review of Books
“Descant” a story at Columbia Journal
“Paris Doesn’t Belong to Us” in the anthology We’ll Never Have Paris, edited by Andrew Gallix, with more than 70 writers, including Brian Dillon, David Hayden, and Evan Lavender-Smith
Review of The William H. Gass Reader in the North Dakota Quarterly
On The Shining – The Smart Set
Nearer My Hong Sang-soo to Me – MUBI
William Gaddis’ Compositional Self – LA Review of Books
“Debut” a story at The Collagist
The Letters of Hugh Kenner and Guy Davenport – LA Review of Books
Reading The Cantos – Big Other
A Year With Wallace Stevens – 3am Magazine
On Eating Combos – The Smart Set
Return to Naipaul’s The Enigma of Arrival – LA Review of Books
“A Modern” (fiction) – Berfrois
Autumn in New York – LA Review of Books
Reviewings in Light of the Zeitgeist – 3am Magazine
Remembering William H. Gass – LA Review of Books
On Kubrick’s Barry Lyndon – MUBI
Interview with John Haskell – The Millions
“The Condoleezza Rice Fan Club Visits Akron, Ohio” at The Collagist
On Toni Erdmann and it’s ending at LA Review of Books
“On or About” – a short essay, at MUBI
“Manhattan,” a short fiction, is at Juked
Mark Greif Interview at LA Review of Books
On Divorce at Ozy.com
“Take This Waltz” Then Move On?: Breakups in the Age of Selfish at Mubi.com
Review of Joseph Tabbi’s William Gaddis biography at Kenyon Review
On William Gaddis’s A Frolic of His Own at The Millions
Essay at 3am Magazine – All Hues in His Controlling
Arts Fuse Review of My Brooklyn Writer Friend
Brooklyn Rail Review of My Brooklyn Writer Friend
Interview at The Collagist
A review of William Gass’s Eyes at 3am Magazine
Interview at Electric Literature
At Fanzine a short essay, “Envy, the Unsuccessful Writer’s Friend”
At MUBI, Mister Fincher and Monsieur Dreyer, cinematic despair and rapture
At Medium/Human Parts, a piece on Internet Dating
At MUBI, On Satyajit Ray’s Apu Trilogy
At MUBI, four new pieces: Mr. Turner, Boyhood, and Criticism, Eric Rohmer’s A Winter’s Tale, Carl Dreyer’s Gertrud on its 50th Anniversary, and a look at French director Jean Gremillion
Short story “Such a Sweet Meat” is in The Collagist
A review of Eric Rohmer: Interviews is in the Summer Issue of Film Quarterly
An essay on Paul Thomas Anderson, envy, and space in film at the LA Review of Books
On Louise Gluck – The Millions
Greg Gerke’s work has appeared in Tin House, Film Quarterly, The Kenyon Review, and other publications. See What I See, a book of essays, and Especially the Bad Things, stories, were both published by Splice in the Autumn of 2019.