Splice will publish my novel, In the Suavity of the Rock, in June of 2024, with a limited edition hardcover as well. Pre-orders are now open.
Zerogram Press published a new and expanded edition of See What I See in April 2021, with an introduction by scholar Steven Moore. Short teaser from the unpublished 10K word essay on Eric Rohmer.
Anthony Domestico reviews See What I See in Commonweal
LATEST WORK: No Way to Bresson – The Smart Set
Serge Daney and Today’s Cinema – LA Review of Books
“In Relationship” (fiction) – Hobart
Faulkner’s Ghost in US Fiction – Cleveland Review of Books
Three short fictions at Propagule
The Year of Hamaguchi (Japanese director) – Verso
While Reading Ingeborg Bachmann’s Malina – Berfrois
“The Latest Scar in Time” – On the Seawall
“A New Scar in Time” – The Smart Set
On Dreyer’s Gertrud – In Review Online
“On Being Looked At” – Oxonian Review
The story “The 100th Anniversary of The Waste Land” is at The Rupture
One Shot in Carlos Reygadas’s Cinema – Caesura Magazine
See What I See-related:
Beyond the Zero Podcast interviewed me
Michigan Quarterly Review reviews See What I See
Dialogue with Gabriel Blackwell about our books at Full-Stop
Brad Listi interviewed me for his Otherppl Podcast
Steven Moore’s Introduction to See What I See is now online in the first issue of Exacting Clam
Paul Skinner reviewed See What I See at his blog
Chris Via did a video review of See What I See at his well-known Leaf by Leaf channel
Garielle Lutz interviewed me with one question at 3am Magazine
Podcast at 42 Minutes–a conversation about Gass, Gaddis, The Tunnel, reading, and writing, etc
Volume One Brooklyn has posted an excerpt from the “Paris Doesn’t Belong to Us” essay about honeymooning in Paris and going to Parc des Buttes-Chaumont to find a location from Eric Rohmer’s The Aviator’s Wife.
Excerpt from See What I See: “The One and Only Autobiographical Writer” in Berfois
Interview with Jim Gauer about See What I See and Novel Explosives
I am editing a new Internet journal called Socrates on the Beach.
Further Work:
“Burning the Days” – a short fiction at Berfois
“Bedtime” – a short fiction at Ligeia Magazine
On Reading Fleur Jaeggy’s Sweet Days of Discipline – LA Review of Books
The Story “Just Give Me a Funeral” is at X-R-A-Y Literary Magazine
“Merrill Stein: Wallace Stevens Scholar” a fiction, is at Twelve Winters Journal
“The Road Not Taken?” – Berfois
Review of Kjell Askildsen’s “Everything Like Before” – LA Review of Books
“Time to Say Goodbye to for the Summer” – LA Review of Books
“Jennifer Jason Leigh and Me” – LA Review of Books.
“Handke and Time-Travel” – The Review of Uncontemporary Fiction
“My Father through the Mann” (on Anthony Mann’s Man of the West) at The Smart Set
Review of Mark de Silva’s Points of Attack at Full-Stop
“Returning to The Dreamlife of Angels” Erick Zonca’s 1998 film – Caesura Magazine
Fiction at On the Seawall: “Response”
Back to Sidney Lumet’s The Verdict – New Critique
The First Paragraph of Henry James’s “The Story In It”
To Tell or Not to Tell – LA Review of Books
The video of @WUSTLlibraries discussion on William Gass’s The Tunnel
On Jen Craig’s “Panthers and the Museum of Fire” – Volume One Brooklyn
On Alexander Theroux’s An Adultery – Full-Stop
“The First Movements in William Gass’s The Tunnel” – The Tunnel at 25
“The Wait” – Fiction at The Kenyon Review
Excerpt from novel Eyes on Other Days at Splice
Review of Alexander Theroux: A Fan’s Notes at The Arts Fuse
On Gerald Murnane’s A Million Windows at Splice
An epistolary piece on reading Faulkner’s The Hamlet with Genese Grill at 3am Magazine (3 parts)
“Past as Epilogue” at The Smart Set
I interviewed writer/translator Genese Grill at LA Review of Books
Oh for Antonioni! at Lapsus Lima
“Re-discovering Patrick White” at Music & Literature
Meretricious Marriage Story – LA Review of Books
“Baby Sharks” – LA Review of Books
“Child as Parent” at Mr. Beller’s Neighborhood
“Guy Davenport as Exemplar” at Essay Daily
“On or About”-excerpt from See What I See at 3am Magazine
Splice Interview about writing/reading Part I
The Wrong Things List (fiction) – 3am Magazine
Unappeasable and Peregrine: Eyes Wide Shut – The Smart Set
On Marianne Moore’s “Silence” – LA Review of Books
“Descant” a story at Columbia Journal
“Paris Doesn’t Belong to Us” in the anthology We’ll Never Have Paris, edited by Andrew Gallix, with more than 70 writers, including Brian Dillon, David Hayden, and Evan Lavender-Smith
Review of The William H. Gass Reader in the North Dakota Quarterly
On The Shining – The Smart Set
Nearer My Hong Sang-soo to Me – MUBI
William Gaddis’ Compositional Self – LA Review of Books
“Debut” a story at The Collagist
The Letters of Hugh Kenner and Guy Davenport – LA Review of Books
Reading The Cantos – Big Other
A Year With Wallace Stevens – 3am Magazine
On Eating Combos – The Smart Set
Return to Naipaul’s The Enigma of Arrival – LA Review of Books
“A Modern” (fiction) – Berfrois
Autumn in New York – LA Review of Books
Reviewings in Light of the Zeitgeist – 3am Magazine
Remembering William H. Gass – LA Review of Books
On Kubrick’s Barry Lyndon – MUBI
Interview with John Haskell – The Millions
“The Condoleezza Rice Fan Club Visits Akron, Ohio” at The Collagist
On Toni Erdmann and it’s ending at LA Review of Books
“On or About” – a short essay, at MUBI
“Manhattan,” a short fiction, is at Juked
Mark Greif Interview at LA Review of Books
On Divorce at Ozy.com
“Take This Waltz” Then Move On?: Breakups in the Age of Selfish at Mubi.com
Review of Joseph Tabbi’s William Gaddis biography at Kenyon Review
On William Gaddis’s A Frolic of His Own at The Millions
Essay at 3am Magazine – All Hues in His Controlling
Arts Fuse Review of My Brooklyn Writer Friend
Brooklyn Rail Review of My Brooklyn Writer Friend
Interview at The Collagist
A review of William Gass’s Eyes at 3am Magazine
Interview at Electric Literature
At Fanzine a short essay, “Envy, the Unsuccessful Writer’s Friend”
At MUBI, Mister Fincher and Monsieur Dreyer, cinematic despair and rapture
At Medium/Human Parts, a piece on Internet Dating
At MUBI, On Satyajit Ray’s Apu Trilogy
At MUBI, four new pieces: Mr. Turner, Boyhood, and Criticism, Eric Rohmer’s A Winter’s Tale, Carl Dreyer’s Gertrud on its 50th Anniversary, and a look at French director Jean Gremillion
Short story “Such a Sweet Meat” is in The Collagist
A review of Eric Rohmer: Interviews is in the Summer Issue of Film Quarterly
An essay on Paul Thomas Anderson, envy, and space in film at the LA Review of Books
On Louise Gluck – The Millions
Greg Gerke’s work has appeared in Tin House, Film Quarterly, The Kenyon Review, and other publications. See What I See, a book of essays, and Especially the Bad Things, stories, were both published by Splice in the Autumn of 2019.